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Anyone Who Had a Heart

My Life and Music

ebook
1 of 1 copy available
1 of 1 copy available
One of the greatest songwriters of all time finally shares his story in this "absorbing" autobiography (Rolling Stone).
From his tumultuous marriages and the tragic loss of his daughter to his collaborations with Dionne Warwick and the surprising stories behind the songs that generations have come to know and love, Burt Bacharach offers a frank, moving account of an unparalleled life.
Over six decades, Burt Bacharach's legendary songwriting touched millions of devoted listeners all over the world. In Anyone Who Had a Heart, Bacharach steps out from behind the music to give an honest, engaging look at his life—from his childhood in Forest Hills, New York, during the 1930s and 1940s to his rise as one of the most accomplished composers in modern popular music, working with Hal David, Dionne Warwick, Elvis Costello, and many others.
While he soared professionally, Bacharach's private life was dominated by the never-ending search for love—and the heartbreak that comes when it is lost. His first three marriages ended in divorce. His long-running partnership with the late Hal David suffered a bitter split that lasted seventeen years. Throughout the highs and lows, Bacharach pursued his muse. Powerful and honest, Anyone Who Had a Heart illuminates the sensitivity and intelligence of a musical legend and offers a unique backstage look at the world of show business.
"A congenial overview of a life devoted to music. . . . Illuminating and gritty."—Kirkus Reviews
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    • Publisher's Weekly

      March 25, 2013
      Though he’s clearly a gifted songwriter, Bacharach as a memoirist disappoints. While Bacharach, writing with Greenfield, certainly has a story to tell (he was married to Angie Dickinson; toured with Marlene Dietrich; wrote mega-hits like “Walk on By” and “Raindrops Keep Fallin’ on My Head”; won Grammys and Oscars), he’s in too much of a hurry to get to the end of his book to really dig in and tell readers what it was like to cut his teeth in the infamous Brill Building, work with (and sever ties with) his frequent collaborator Hal David, or even address his daughter’s battle with Asperger’s and depression that led her to commit suicide; he prefers to let Angie Dickinson and others do most of the talking. Bacharach spends more time talking about his tennis game and various marriages than his approach to songwriting (much more detail is given to who he worked with on a particular song than the song itself) . Moments of humility and candor, such as a blown opportunity to work with Sinatra, peek through, but it’s not enough to save what could have been an illuminating work on many levels. Amy Schiffman, Intellectual Property Group.

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  • OverDrive Read
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  • English

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