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Those Wild Wyndhams

Three Sisters at the Heart of Power

ebook
1 of 1 copy available
1 of 1 copy available
Winner of the Slightly Foxed Best First Biography Prize 2014 A rich historical biography of 'those wild Wyndhams' – three cultured aristocratic sisters born into great privilege in late Victorian Britain. Mary, Madeline and Pamela – the three Wyndham sisters – were painted by John Singer Sargent in 1899. For The Times it was, quite simply, 'the greatest picture of modern times'. But these beautiful, fin de siecle gentlewomen came to epitomize a vanished world. The languor of their pose reflects the leisured, gilded, existence of the late Victorian aristocracy that was to be dealt a deathblow by the First World War. Yet the lives of these three Wyndham sisters were far more turbulent than their air of calm suggests. Brought up in artistic circles, their childhood was liberal and romantic. Their parents were intimate friends with the Pre-Raphaelites and the girls grew to become leaders of the aesthetic movement. Bowing to convention, they made excellent marriages but found emotional support from others – Mary with Arthur Balfour and the poet Wilfrid Scawen Blunt; Pamela with Liberal statesman and ornithologist Edward Grey. Their liaisons shocked society, while the First World War devastated their way of life. 'Those Wild Wyndhams' is their first ever biography, and is based on the many letters they have left behind – compelling, humorous and brilliantly illuminating. This sparkling debut by Claudia Renton captures them and their age in an unforgettable piece of historical and political biography.
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    • Publisher's Weekly

      April 2, 2018
      Attorney Renton’s thorough, if less than fully captivating, biography of three high-society sisters who were part of the British cultural and political elite in the late 19th and early 20th centuries provides a portrait of the aristocratic intelligentsia in Victorian and early Edwardian England. Mary (1862–1937), Madeline (1869–1941), and Pamela Wyndham (1871–1928) come across as less vapid, more intellectual proto-Kardashians who were known mostly for being known. Daughters of a conservative politician, the sisters were immortalized in a John Singer Sargent painting and were prominent members of a circle of socially and politically influential friends dubbed the “Souls.” They served as informal confidantes for their husbands and rumored lovers, including Mary’s close “Soul” friend, Prime Minister Arthur Balfour, raising the possibility that they had influence on public policy. By the time they are middle-aged, the Wyndhams’ distraught letters reveal their devastation after WWI killed most of their sons and ended their prewar way of life. Renton uses a light, almost gossipy tone in describing the Souls’ early games of wit and petty squabbles, and pulls no punches in describing Pamela’s literal carpet-biting tantrums or Mary’s coldness toward her progeny. Drawing on an impressive array of family and acquaintance diaries, journals, and letters, Renton attempts to flesh out the Wyndhams to explain both public fascination with them and also their hand in creating pre–WWI British culture, but the famed Wyndham charisma doesn’t quite shine through. This tale of the witty, sparkling privileged set may appeal most to fans of Downton Abbey.

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  • English

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