Starred review from April 8, 2019
Osipov makes his English-language debut with this masterful and sublime collection, largely set in rural Russian villages. In “Moscow-Petrozavodsk” a young doctor is taking the 14-hour trip from Moscow to Petrozavodsk for a medical conference. When Tolya, a fellow traveler, goes into alcohol withdrawal, the doctor, trying to be helpful, alerts the train crew that Tolya needs medical treatment. Instead, he unwittingly causes Tolya to be thrown off the train and beaten by police at the next stop. Indignant, the doctor pays a visit to Colonel Schatz, a local arbitrator of law and order, who promptly turns the doctor’s simple narrative of justice and injustice upside down. In “On the Banks of the Spree,” Betty is flying to Berlin from her home in Moscow to meet a half-sister for the first time, whose existence is one of several secrets her father, a retired KGB spy, has recently revealed. The title story, the stand-out of the collection, begins as a simple, pastoral tale as Ksenia Nikolayevna Knysh, head of the region’s legislative assembly, plans to build a new chapel in memory of her deceased daughter. At first, the story seems a simple sketch of a mid-level bureaucrat, but when an ethnic Tajik seasonal worker is accused of murder, themes of religious tension and gender injustice break the surface. This collection showcases Osipov’s talent in creating subtle, sophisticated character portraits that carry a good dose of suspense.
Starred review from February 15, 2019
Stories about the absurdity, corruption, and daily mundanity of modern Russian life.In his native Russia, Osipov, in addition to being a writer, is a cardiologist, an activist, and the founder of a small publishing company. His first book to be published in the United States is a marvelous collection of short stories in which not very much happens. One story follows a doctor on one of many uneventful trips to the U.S., where he escorts patients, for reasons unspecified. He makes money this way. On his way back to Moscow, a customs official will ask, "What are you traveling with?" and he'll just say, " 'All kinds of crap.' They'll smile as best they can--one of ours, on you go." In another story, a geologist decides to join the priesthood despite the fact that "he didn't even have a decent beard." Even worse: "He couldn't sing for his life. And a priest had to sing well." Osipov clearly carries the weight of Chekhov's and Bulgakov's influence not only in his mix of professions, but also in his sense of humor--which is, to say the least, deadpan. Like Chekhov, too, many of Osipov's stories meander along without a clearly delineated plot or, in the end, a sense of resolution. He is clearly concerned with Russia's place in the modern world. Several stories, including the one about the airport-hopping doctor, comment on the way that Americans, at least superficially, seem to be driven by rules and regulations, a need for order. Back home, all those things have a way of going to hell. What matters to that customs official is not that the forms have been correctly filled in but that the doctor is "one of ours."Remarkable stories, threaded through with a bleak humor, describe life in the provinces of a Russia attempting to contend with the modern world.
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